Cigarettes dangle from their rocket-red mouths. He and Ratliff showed a number of small collages in a two-man exhibition at Judson Gallery. Apart from female figures, Tom Wesselmann also painted still lifes, mostly food, clothing items and flowers, as reflected in his Little Still Life collection of works. In the same year Wesselmann began working on landscapes, including one that includes the noise of a Volkswagen starting up. Steel Drawings by Tom Wesselmann ", 2012 – Montreal Museum Of Fine Arts, Montreal – "Beyond Pop: Tom Wesselmann", 2013 – Virginia Museum of Fine Arts, Richmond – "Pop Art and Beyond: Tom Wesselmann", This page was last edited on 22 February 2021, at 00:14. The incorporation of negative space that had begun in the Drop-Out series was continued into a new medium and format. TOM WESSELMANN: EARLY YEARS COLLAGES 1959-1962 By Constance Glenn **Excellent** Item Information. Saved by Timothy Ingram. Two other new subjects also appeared: Bedroom Painting , and Smoker Study, the latter of which developed from observation of his model for the Mouth series. His Venuses have tan lines. Thomas K. Wassermann was born on February 23, 1931, in Cincinnati. His Smokers continued to change: he introduced the hand, with polished fingernails sparkling in the smoke. [22] His last major paintings of the series Sunset Nudes (2003/2004) were shown after his death at the Robert Miller Gallery in New York in April 2006. His studies at the University were interrupted by service to the nation, as he was enlisted into the United States Army in 1952 for the Korean War. We provide art lovers and art collectors with one of the best places on the planet to discover modern and contemporary art. Thomas K. Wesselmann (February 23, 1931 – December 17, 2004) was an American artist associated with the Pop Art movement who worked in painting, collage and sculpture. The first shaped canvas nudes also appeared this year. Thomas K. Wesselmann (February 23, 1931 – December 17, 2004) was an American artist associated with the Pop Art movement who worked in painting, collage and sculpture. This large canvas depicts a monumental mouth with a cigarette dangling from the lower lip. “[They constitute] an unexpected but highly satisfying nostalgic return to a youthful episode in the very midst of one of the most radical changes of style in Wesselmann’s career. In 1960 Wesselmann had been able to view the works of the French master in person at the MoMA's Gouaches Découpées (Gouache Cut-outs) exhibition, and forty years later he paid homage in his Sunset Nudes series. In 1983 Wesselmann was seized by the idea of doing a drawing in steel, as if the lines on paper could be lifted off and placed on a wall. But these things have such crazy give-and-take that I feel they get really very wild”. During a visit to the MoMA he was inspired by the Robert Motherwell painting Elegy to the Spanish Republic: “The first aesthetic experience… He felt a sensation of high visceral excitement in his stomach, and it seemed as though his eyes and stomach were directly connected”. This is instant history of art, a history of art that became so aware of itself as to make a leap that went beyond art itself”.[8]. He achieved some initial success when he sold his first cartoon strips to the magazines 1000 Jokes and True. Perhaps his most famous piece is ‘The Great American Nude’ from 1960. Although such act could now be considered as the preview of his future in Pop art, it should also be said that these collages related to early Modern artworks to a certain extent, as they reference historical works of masters such as Henri Matisse, Edgar Degas, Hans Mewling and Wassily Kandinsky. In the early 1960s Tom Wesselmann set himself the challenge to paint the Great American still life and Still Life #28 is one of the most outstanding fulfillments of this ambition. In these years, the influence of Matisse diminished the border between Wesselmann's figurative and abstract styles. Still Life #60 appeared in 1974: the monumental outline, almost 26 feet (7.9 m) long, of the sunglasses acts as a frame for the lipstick, nail polish and jewelry; a microcosm of contemporary femininity that Wesselmann took to the level of gigantism. Museo d’Arte Contemporanea Roma (MACRO) exhibited a retrospective in 2005, accompanied by a comprehensive catalogue. In 1964 Ben Birillo, an artist and business partner of gallery owner Paul Bianchini, contacted Wesselmann and other Pop artists with the goal of organizing The American Supermarket at the Bianchini Gallery in New York. Before he was a prominent Pop artist and one of the leading figures of the movement, the late Tom Wesselmann was just another art student, trying his luck at the medium of collage. Their crisp … Initially a cartoonist for men's magazines, Tom Wesselmann reduced the classical female nude to her essential components: lips, nips and pubes. In 1978 Wesselmann started work on a new series of Bedroom Paintings. As he progresses with collage-making, Tom Wesselman starts to lean more towards the sheer representation of consumerists goods, before finally giving in completely to the avalanche ideologies of Pop art. © 2013-2021 Widewalls | He was drafted into the US Army in 1952, but spent his service years stateside. Another show, in 2010 by Maxwell Davidson, Tom Wesselmann: Plastic Works, was the first ever survey of Wesselmann's work in formed plastic. The Smoker Study series of works would become one of the most recurrent themes in the 1970s.[14]. See available prints and multiples, paintings, and works on paper for sale and learn about the artist. Mixed media and collage on board 7 1/4 x 5 3/4 inches (18.4 x 14.6 cm) Collection of Claire Wesselmann. "[2], For Wesselmann, 1958 was a pivotal year. Still Life # 12 recasts the established tradition of still-life painting in the pop language of American consumer culture. Wesselmann never liked his inclusion in American Pop Art, pointing out how he made an aesthetic use of everyday objects and not a criticism of them as consumer objects: “I dislike labels in general and 'Pop' in particular, especially because it overemphasizes the material used. Collage bath by Tom Wesselmann (1931-2004, United States) | | WahooArt.com A landscape painting trip to Cooper Union's Green Camp in rural New Jersey, brought him to the realization that he could pursue painting, rather than cartooning, as a career.[3]. 62. [10] He married Claire Selley in November 1963. In these works he revised the formal construction of the composition, which was now cut by a diagonal, with one entire section being taken up by a woman's face in the very near foreground. Over 30 of such works will soon be on view at David Zwirner Gallery in London, in an exhibition that will explore the early years of his fruitful career. These are works in which he made more recognizable portraits, with a less anonymous feel. 27–28), interview with E. Giustacchini, Stile Arte, 2003, p. 29, Paul Bianchini's Obituary, International Herald Tribune September 12, 2000, retrieved August 20, 2008, Tom Wesselmann, 73, Pop Artist Known for Sleek Nudes, Is Dead, Tom Wesselmann Digital Corpus by Wildenstein-Plattner-Institute, https://en.wikipedia.org/w/index.php?title=Tom_Wesselmann&oldid=1008182079, Pages using infobox artist with unknown parameters, Wikipedia articles needing clarification from April 2014, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Wikipedia articles with multiple identifiers, Creative Commons Attribution-ShareAlike License, 1966 – Sidney Janis Gallery – New York City, 1978 – Institute of Contemporary Art – Boston, 1989 – Blum Helman Gallery – Santa Monica, 1991 – Contemporary Art Center – Cincinnati –, 1995 – Maxwell Davidson Gallery, New York City –, 1998 – Sidney Janis Gallery, New York City – "Tom Wesselmann: New Abstract Paintings", 1999 – Maxwell Davidson Gallery, New York City –, 2000 – Joseph Helman Gallery, New York City – "Tom Wesselmann: Blue Nudes", 2003 – Maxwell Davidson Gallery, New York City –, 2003 – Robert Miller Gallery, New York City – "Tom Wesselmann", 2006 – L & M Arts, New York City – "The Sixties", 2006 – Robert Miller Gallery, New York City – "Sunset Nudes", 2007 – Yvon Lambert Gallery/Maxwell Davidson Gallery, New York City –, 2009 – Haunch of Venison Gallery, New York City – "Tom Wesselmann Draws", 2010 - David Janis Gallery, New York City - "Tom Wesselmann: Paintings, Cutouts, Maquettes, Works on Paper", 2010 – Maxwell Davidson Gallery, New York City –, 2010 – Museum of Art, Fort Lauderdale – "Tom Wesselmann Draws", 2010 – Haunch of Venison Gallery, London – "Tom Wesselmann: 1958 – 2004", 2012 - David Janis Gallery, New York City -"Painted Black. View Tom Wesselmann’s 6,455 artworks on artnet. Mixed media and collage on board, 11 1/4 x 14 inches (28.6 x 35.6 cm). Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Tom Wesselmann still life project. Mixed media and collage on board, 11 x 13 inches (27.9 x 33 cm); 14th Street Nude #1, 1960. Tom Wesselmann (Cincinnati 1931–2004 New York) “Bedroom Collage”, 1974, signed Wesselmann, on the reverse again signed, numbered, dated and titled Wesselmann # 17/20, BEDROOM COLLAGE EDITION 1974, acrylic on paper – artificial fur -collage on canvas, mounted on thin chipboard, 11.8 x … The years following Wesselmann's death were marked by a renewed interest in his work. Once in place the drawings appeared to be drawn directly on the wall. Collection of Claire Wesselmann / Right: Tom Wesselmann - Little Bathtub Collage #2, 1960. Study for Nude Collage Edition. Raised in Cincinnati, he first received a college education at the Hiram College, Ohio in 1949, and after two years of studies transferred to the University of Cincinnati, Ohio where he majored in Psychology. Mixed media and collage on board, 4 5/8 x 5 1/4 inches (11.7 x 13.3 cm); Blue Nude, 1959. In Bathtub Collage #4, Tom Wesselmann updates the canonical toilette scene with candy colored paint and the real-life furnishings of a classic 1960s bathroom. Tom Wesselmann, Tom Wesselman, Tom incorrectly Wesselman Ulan 500025122 View ... Cut ’n’ Paste: From Architectural Assemblage to Collage City Jul 10, 2013–Jan 5, 2014. The Drawing Society produced a video directed by Paul Cummings, in which Wesselmann makes a portrait of a model and a work in aluminum. From 1949 to 1951 he attended college in Ohio; first at Hiram College, and then transferred to major in Psychology at the University of Cincinnati. [15]:96:103 A retrospective show Tom Wesselmann und die Pop Art : pictures on the wall of your heart (2008–2009) at Städtische Galerie in Ravensburg, Germany featured music recordings of his band, courtesy of his estate.[15]:96. In As Henry Geldzahler observed: “About a year and a half ago I saw the works of Wesselmann..., Warhol, Rosenquist and Lichtenstein in their studios (it was more or less July 1961). Early in his career, Tom Wesselmann began to investigate and reinvent traditional genres like the nude, still life and landscape. View Tom Wesselmann’s 6,419 artworks on artnet. But of course the incontrovertible sensuality of Wesselmann's nudes was constantly accompanied by an ironic guiding thread that was clearly revealed in the artist's own words: “Painting, sex, and humor are the most important things in my life." Judy Trimming Toenails, Yellow Wall, 1960 by Tom Wesselmann. He began to teach art at a public school in Brooklyn, and later at the High School of Art and Design. Immersed in a rebellious atmosphere of the time, when artists decided to go against the mainstream of Abstract Expressionism and its action and gesture-oriented style, he focused on things from everyday life, familiar interiors, popular subject matter that was bound to be obtained with the technique of collage. Following surgery for his heart condition, Tom Wesselmann died of complications on December 17, 2004. Quick & Free Delivery in 2-14 days. This depicts a collection of different figures in the colours of the American flag – red, white and blue. Beginning with collages, he incorporated a diverse array of materials in his work: advertising billboards, plastic flowers, television sets and neon signs. In other words they should not be taken as a sign that Wesselmann is embarking on an extended re-engagement with his classic Pop phase...”. Bathtub Collage #3 1963 mixed media, collage and assemblage on board 84 x 106-1/4 x 20 inches Museum Ludwig [13] He carried on working on his landscapes, but also made the Great American Nude #82, reworking the nude in a third dimension not defined by drawn lines but by medium: molded Plexiglas modeled on the female figure, then painted. 48 1/2 x 66 x 4" (122 x 167.5 x 10 cm). April 1963. As well as colored metal nudes, in 1984 he started working on rapid landscape sketches that were then enlarged and fabricated in aluminum. His compositional focus also became more daring, narrowing down to isolate a single detail: the Mouth series began in 1965, his Seascapes began the following year. Tom Wesselmann was an American Pop artist best known for his collages, sculptures, and screenprints that stylized the female figure. During his final year at The Cooper Union School of Art, Tom Wesselman had produced his first collages, and continued to do so until the mid 1960s. Be the first to write a review. We aim at providing better value for money than most. Tom Wesselmann Feb 23, 1931 - Dec 17, 2004 Thomas K. Wesselmann was an American artist associated with the Pop Art movement who worked in painting, collage and sculpture. Tom Wesselmann Born Feb. 23, 1931 Cincinnati, Ohio Died Dec. 17, 2004 (at age 73) Nationality American Movement Pop art Field Painting, Collage, Sculpture, assemblage Works View Most Works Tom Wesselmann (1931-2004) was an artist whose works centered about the Pop art category. “Since 1993 I’ve basically been an abstract painter. He worked constantly on the Bedroom Painting series, in which elements of the Great American Nude, Still Lifes and Seascapes were juxtaposed. Tom Wesselmann was an American Pop artist best known for his collages, sculptures, and screenprints that stylized the female figure. A lifetime retrospective, to travel in North America, will open at The Montreal Museum of Fine Arts in May, 2012. British Museum Art Images .. In the last ten years, Wesselmann's health was worsened by heart disease, but his studio output remained constant. Oil and Collage on Canvas - Estate of Tom Wesselmann Artwork Images. This series of works would become one of the most recurrent themes in the 1970s. Travel Destinations. Tom Wesselmann is one of the leading figures of Pop Art. College Life and Early Progress Tom Wesselmann Feb 23, 1931 - Dec 17, 2004 Thomas K. Wesselmann was an American artist associated with the Pop Art movement who worked in painting, collage and sculpture. After graduation, Wesselmann became one of the founding members of the Judson Gallery, along with Marc Ratliff and Jim Dine, also from Cincinnati, who had just arrived in New York. After graduation, Wesselmann became one of the founding members of the Judson Gallery, along with Marc Ratliff and Jim Dine, also from Cincinnati, who had just arrived in New York. Wesselmann took part in the New Realist show with some reservations,[9] exhibiting two 1962 works: Still life #17 and Still life #22. With these works Wesselmann began to concentrate on a few details of the figure such as hands, feet, and breasts, surrounded by flowers and objects. Wesselmann was born at Cincinnati. This coincided with the release of a new monograph on the artist, written by John Wilmerding and published by Rizzoli, Tom Wesselmann, His Voice and Vision. Tom Wesselmann. The following year L&M Arts in New York held a major exhibition of works from the 1960s. Tom Wesselmann BEDROOM COLLAGE Liquitex and collage on canvas, mounted on Korpine, 1974-75, signed in pencil and numbered 8/20 (total edition includes three proofs and one prototype), framed overall: 116 by 217 mm 4 1/2 by 8 1/2 in Left: Tom Wesselmann - Judy Trimming Toenails, Yellow Wall, 1960. Modern & Contemporary Art Resource. It followed the Nouveau Réalisme exhibition at the Galerie Rive Droite in Paris, and marked the international debut of the artists who soon gave rise to what came to be called Pop Art in Britain and The United States and Nouveau Réalisme on the European continent. He is best known for his career-spanning series, “Great American Nude,” which featured female figures in intensely saturated interiors. They also show Tom Wesselmann’s earliest female nudes, also shown as part of his Little Great American Nudes series, first created in 1961 and further developed through 1973, with Great American Nudes. This was an installation of a large supermarket where Pop works (Warhol's Campbell's Soup, Watts's colored wax eggs etc.) Wesselmann’s tabletop scene is a landscape of temptation and bounty, combining advertising images of frosty beverages and a glistening ham with painted facsimiles of fruit and a redchecked tablecloth. In 1962, Richard Bellamy offered him a one-man exhibition at the Green Gallery. I was happy and free to go back to what I wanted: but this time not on De Kooning’s terms but on mine". Still Life #30. 1967. Imprimer Please notify me when the condition report is available. Geometric Art Prints Winter Art Projects Art Deco Typography Art Wallpaper Iphone Food Painting Geek Art … Details about TOM WESSELMANN: EARLY YEARS COLLAGES 1959-1962 By Constance Glenn **Excellent** Excellent Condition! A nail-polish bottle is tipped up on one side, and there is a vase of roses with a crumpled handkerchief next to it, and the framed portrait of a woman, actress Mary Tyler Moore, whom Wesselmann considered as the ideal prototype girlfriend. Wesselmann's metal works continued to go through a constant metamorphosis: My Black Belt (1990), a seventies subject,[further explanation needed] acquired a new vivacity that forcefully defined space in the new medium. BATHTUB COLLAGE #5. signed, titled and dated 5/64 - 8/64 on the reverse acrylic and mixed media collage on panel 30 x 31 3/4 x 2 3/4 in. He worked in sculpture, painting and collage. The work demonstrates the artist's increasingly refined style, using clear, bright colors and tight, delineated edges. Wesselmann used collage, assemblage and shaped canvases to usher in a new vocabulary of painting. In the space of a year and a half they put on exhibitions, created a movement and we are now here discussing the matter in a conference. This kind of relationship helps establish a momentum throughout the picture... At first glance, my pictures seem well behaved, as if – that is a still life, O.K. After a dream concerning the phrase "red, white, and blue", he decided to paint a Great American Nude in a palette limited to those colors and any colors associated with patriotic motifs such as gold and khaki. That year, Wesselmann had begun working on a new series of still lifes. From 1949 to 1951 he attended college in Ohio; first at Hiram College, and then transferred to major in Psychology at the University of Cincinnati. That was when I understood I was going back to what I had desperately been aiming for in 1959, and I started making abstract three-dimensional images in cut metal. Tom Wesselmann (1931–2004) was one of the leading American Pop artists of the 1960s. He had to invest in the development of a system that could accomplish this, but it took another year for that to be ready. Tom Wesselmann, Judy Trimming Toenails, Yellow Wall, 1960, mixed media and collage on board, 18 × 15 cm. Collages 1959-1964, an exhibition of works by Tom Wesselmann, will be on view at David Zwirner Gallery in London, UK, from January 29th through March 24th, 2016. Mixed media and collage on board, 7 1/4 x 5 3/4 inches (18.4 x 14.6 cm). They are both the same kind of thing. His second daughter, Kate, was born; previous children were Jenny and Lane. The Sidney Janis Gallery held the New Realists exhibition in November 1962, which included works by the American artists Jim Dine, Robert Indiana, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, and Andy Warhol; and Europeans such as Arman, Enrico Baj, Christo, Yves Klein, Tano Festa, Mimmo Rotella, Jean Tinguely, and Mario Schifano. Aug 16, 2015 - "Tom Wesselmann was born in Cincinnati, Ohio, on February 23, 1931... [he] became one of the leading American Pop artists of the 1960s, rejecting abstract expressionism in favor of the classical representations of the nude, still life, and landscape. Obliged by the use of metals to experiment with various techniques, Wesselmann cut works in aluminum by hand; for steel he researched and developed the first artistic use of laser-cut metal. Beginning in 1965, Wesselmann made several studies for seascapes in oil while vacationing in Cape Cod and upstate New York. Executed in 1970.. Estimate £15,000 - 20,000 . Europe Destinations. This idea preceded the available technology for lasers to mechanically cut metal with the accuracy Wesselmann needed. [18]. They started out as works in black and white, enabling him to redevelop the theme of the nude and its composition. Albright-Knox Art Gallery; albrightknox.org; Contemporary art, 1942–72: collection of the Albright-Knox Art Gallery; Praeger, Jan 1, 1973 – Art – 479 pages; The Museum of Modern Art/Grove Art Online; He started using photographs he took of his friend and model Danielle in order to make works in oils (ibid., p. 66), “These work began when I was drawing negative drop-out shapes from the model, and for the first time I put two shapes in relation to each other, an arm shape and a leg shape. In 1962 Wesselmann had begun working on a new series of still lifes, experi-menting with assemblage as well as with collage. This is what happened: in 1984 I started making steel and aluminum cut-out figures... One day I got muddled up with the remnants and I was struck by the infinite variety of abstract possibilities. Wesselmann also derived works from Matisse's cut-outs: Blue Nude (2000), initiated a series of blue nude reliefs sculpted in shaped aluminum. [20] In this new abstract format Wesselmann preferred a random approach, and made compositions in which the metal cut-outs resembled gestural brushstrokes. The abstract works display firmer lines and a chromatic range that favored primary colors. Among them, his first large-scale painting, the 1963 Still Life #29, of which only four exist. In Bedroom painting #12, he inserted a self-portrait. Smoker, 1 (Mouth, 12) Wesselmann began his series of Mouth paintings in 1965. Wesselmann's series Great American Nude (begun 1961) first brought him to the attention of the art world. The Bedroom Paintings shifted the focus and scale of the attendant objects around a nude; these objects are small in relation to the nude, but become major, even dominant elements when the central element is a body part. Two galleries; Maxwell Davidson and Yvon Lambert, jointly showed the Drop-Out series in New York in 2007. These pieces, produced between 1959 and 1964, represent an introduction to the artist’s creative development and his dedication to the graphic and large-scale Pop imagery which he would come to make later on. Travel. In Sunset Nude with Matisse, 2002, he inserted Matisse's painting La Blouse Roumaine (1939–1940). They were working independently, unaware of each other, but drawing on a common source of imagination. In these early collages, Tom Wesselmann processed interiors that allow the viewer a glimpse into a private and closed world, with pieces of scenery taken from everyday American life. These Wesselmann viewed without noting any similarities with his own {S. Stealingworth, p. 25}. signed, dedicated and dated 'For Arnie Tom Wesselmann 70' lower left edge thinned Liquitex and pencil on ragboard 10.2 x 21.6 cm (4 x 8 1/2 in.) Art © Estate of Tom Wesselmann/Licensed by VAGA, New York, NY, Photo Credit: Jeffrey Sturges. Self-contained and complete in themselves, they seem more likely to stand alone rather than to lead to further reinterpretations of Sixties motifs. In 1973 he brought to an end the series devoted to the Great American Nude with The Great American Nude #100. Through these works, we witness the beginnings of his love of vibrant colors, flattened forms and dynamic patterns, something that will stick with him for the rest of his career. This series of views, called the Drop-Out series were constructed from the negative space around a breast. [12], Wesselmann's works in these years: Great American Nude #53, Great American Nude #57, show an accentuated, more explicit, sensuality, as though celebrating the rediscovered sexual fulfilment of his new relationship. Saved ... American Art Elementary Art Still Life Painting Art Pop Art Movement Collage Art Art Movement Still Life Artists. Explore. He had two daughters and a son.[15]:102:117. Jun 8, 2015 - Explore Ruby Millard's board "Tom Wesselmann" on Pinterest. Wesselmann's first solo show was held there later that year, representing both the large and small Great American Nude collages. —Tom Wesselmann. The breast and torso frame one side of the image while the arm and the leg form the other two sides. [7] The series incorporated representational images with an accordingly patriotic theme, such as American landscape photos and portraits of founding fathers. About the same time, Ivan Karp of the Leo Castelli Gallery put Wesselmann in touch with several collectors and talked to him about Roy Lichtenstein and James Rosenquist’s works. In his New York City studio, he used an old projector to enlarge them into large-format works. were shown among real food and neon signs. Make sure you don’t miss a special event in form of a guided tour of the show led by art historian Marco Livingstone, one of the leading expert in Pop art, to be held on February 10th at 12pm. 37 3/16 by 35 13/16 in. He and Ratliff showed a number of small collages in a two-man exhibition at Judson Gallery. Featured images in slider: Portrait Collage #7, 1959. The breast of a woman concealed behind a wall appeared in a box among Wesselmann's sculpted still life elements[15]:100 in a piece entitled Bedroom Tit Box, a key work that “...in its realness and internal scale (the scale relationships between the elements) represents the basic idea of the Bedroom Painting”.[16]. Sold for £27,500 76.1 x 81 x 6.8 cm. In all their intimacy, they reveal the germination of his iconic style and affirm his lifelong interest in depicting interiors, still lifes, female nudes and landscapes. His nudes on canvas of this period rework 1960s images. His main materials were, as expected, found materials like postcards, wallpaper, stickers and fabric. This i… As works began to approach a giant scale he approached advertisers directly to acquire billboards. During that time he made his first cartoons, and became interested in pursuing a career in cartooning. Barbara in the Bedroom (Black Choker) 1979 signed and dated 79 liquitex, pencil and paper collage on card Image: 94.5 by 91 cm. 43 9/16 by 40 3/8 in. During his service, he developed a great interest in arts, making cartoons to kill his boredom. Through Henry Geldzahler, Wesselmann met Alex Katz, who offered him a show at the Tanager Gallery. Sheet: 110.7 by 102.5 cm. Summary of Tom Wesselmann. Mixed media and collage on board, 7 1/2 x 5 1/2 inches (19.1 x 14 cm). A lifetime retrospective of drawings, Tom Wesselmann Draws, was shown at Haunch of Venison Gallery, New York, and then traveled to The Museum of Fine Art, Fort Lauderdale, FL, at Nova Southeastern University, and The Kreeger Museum in Washington, DC. In 1980 Wesselmann published the monograph Tom Wesselmann, an autobiography written under the pseudonym Slim Stealingworth. Courtesy: Estate of Tom Wesselmann and VAGA, New York; photograph: Jeffrey Sturges It’s 1959 in the US and Tom Wesselmann has just graduated from Cooper Union. Then I thought it would be interesting to connect them with a body line… this began the works with interior lines continuing outside the painting" (S.Hunter, 1993, pp. [14] He started working on shaped canvases and opted for increasingly large formats. See more ideas about toms, pop art, pop art movement. [17] Tom Wesselmann. [19] Wesselmann took his idea further and decided to make them in color as well. [21] In 1999 he made his final Smoker work, Smoker #1 (3-D), as a relief in aluminum. Wesselmann acknowledged the influence of Mondrian by choosing titles that recall the earlier painter's works: New York City Beauty (2001). [23], In 1957 Wesselmann met Claire Selley, another Cooper Union student who was to become his friend, model, and in 1963, his wife. The press preview with David Zwirner partner Gérard Faggionato is set for January 28th at 10am, while the private view is scheduled from 6pm to 8pm. Oil, enamel and acrylic on board with collage of printed advertisements, plastic flowers, refrigerator door, plastic replicas of 7-Up bottles, glazed and framed color reproduction, and stamped metal. Computerized imaging had not yet been developed. Working across collage, sculpture and painting, Tom Wesselmann was a prominent artist of the Pop Art movement whose works often stylised the female form as well as capturing elements of American life and consumer culture. Often these images were collaged from magazines and discarded posters, which called for a larger format than Wesselmann had used previously. experimenting with assemblage as well as collage. Departing from Abstract Expressionism, he explored classical representations of the nude, still life, and landscape, while incorporating everyday objects and advertising ephemera.
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